Every single Lost Kids issue is Complete o/

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:star: End of a Journey

I have every issue right here with me just waiting to get released. It feels awesome to finally be able to say that, those around here on DA with me know that I have spent the better part of the past few years working on this massive project and now it's all done.

I'm still waiting to go through the Submission Process at Comixology for the Digital Release, they say it might take between 8-10 weeks, sheesh, I can't barely hold my excitement! In the mean time I will get started on those hard copies, stay tuned!

:star: Facebook

Visit our :facebook: Facebook Page or hit the picture below to check it out and hit that "Like" button.


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Make sure to catch our Preview Pages photo album, tons of neat stuff you won't find anywhere else.

:star: Have You Joined Yet?

Maybe you haven't checked out our Lost Kids Group yet but aside from our monthly feature we've also been putting together the ultimate tutorial and resources gallery, come check it out and if you got a tutorial of your own or a tutorial from someone else you would like to share with the community, please, send it our way or submit it to the group, we'll be happy to feature it!

:iconthelostkids::iconthelostkids::iconthelostkids::iconthelostkids::iconthelostkids:

:star: How to Write Your Own Comic

Finally I got some time to sit down and work on a new article. This one is about breaking up your story in panels and how that is a collaborative effort between the writer and artist since it's key to the narrative of the book.

Check it out at Writing 302: Action in PanelsYou may think this is solely up to the illustrator of the book but in fact it's actually a shared responsibility between writers and pencillers.
Camera Angles and Storytelling through Panels
As a writer it's your job to define the pacing and flow of the page and how your story will reach the readers. The artist's job is to take those directions, execute them as best as he can and apply his vision on top of the writer's. It is a collaborative effort and that's why writers and artists have to keep a constant communication.
Drawing a pin-up is one thing, telling a story through pictures is something else entirely. All your choices have weight and they should mean something, you should be very conscious of every single decision you take as an artist/writer when working on a comic book.
A close up has a very different desired effect than a wide shot for instance, and they each communicate something specific to your readers. So always keep in mind, "What do I want to communicate wi


:bulletblue: Writing 101 - Find Your Ending: fav.me/d2yp1p8
:bulletblue: Writing 102 - The Outline: fav.me/d2yqvso
:bulletblue: Writing 201 - Crowd or Cast: fav.me/d2yt19l
:bulletblue: Writing 202 - What's Your Job?: fav.me/d2yxj5x
:bulletblue: Writing 203 - Nice to Meet You: fav.me/d2z8dw8
:bulletblue: Writing 204 - Lego Blocks: fav.me/d2zmqr7
:bulletblue: Writing 301 - Formatting: fav.me/d2zvobj
:bulletblue: Team Effort 101: fav.me/d30zu2i

Thanks so much for checking them out!

:star: Lost Kids Crew

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Yutaro's avatar
Muitos Parabéns :aww: